A song-by-song review of last night's Zep show:
Good Times Bad Times: Could there be a more perfect opener?
Ramble On:
Black Dog: Bonham handles the offbeat rhythm without a hitch. And Page reels off another searing solo. Plant doesn't have to work too hard to get the crowd singing along on the, "Ah, ah, ah, ahhhhhhhhh" refrains.
In My Time of Dying: Page switches to a hollow-body electric and pulls out the slide for this serpentine epic workout from Physical Graffiti.
For Your Life: Before the gig, Page told interviewers the band had rehearsed this buried treasure from 
Presence, which they never performed live before.
Trampled Underfoot: Jones puts down his bass and moves to the keyboard for this funky number, which Plant explains was inspired by Delta bluesman Robert Johnson's Terraplane Blues.
Nobody's Fault But Mine: Plant tells the crowd this one came from the Staples Singers and the Blind Boys of Alabama. More to the point, he plays a pretty wicked harmonica solo.
No Quarter: Jones' trademark keyboard spotlight lasts 10 minutes.
Since I've Been Loving You:
Dazed and Confused: Midway through, the violin bow has been unsheathed! Page launches into his solo while standing in the middle of a spinning laser pyramid -- exactly as he did on the band's '77 tour.
Stairway to Heaven: It's Stairway. What more is there to say? Except that they pulled it off like champs. "Hey, Ahmet," says Plant at the end. "We did it." Indeed they did.
The Song Remains the Same: Page has pulled out the doubleneck SG.
Misty Mountain Hop:
Kashmir: "There are people here from 50 countries," Plant says. "This is the 51st country." Jones is on keyboards, but Page does a pretty fair job of bringing the guitar army to life.
Whole Lotta Love (Encore): AWESOME
Rock and Roll (2nd Encore): AWESOME.
HONESTLY, COULD YOU ASK FOR ANYTHING MORE??